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“We do be glad to hev the new schoolmarm,” she announced, “you might of mentioned her, in yer blessin’, Ebenezer.” To-day his mother’s words had left a pang. He would soon be a man and have to “think for himself.” Yes, and work, too. “Gee whiz! It’ll be tough not to play any more,” he exclaimed under his breath as he bowled along the tree-lined road that led to the Prettyman farm. The operetta opened with a weird winter scene, when the Sower (Harold) sowed his grain, and the gnomes and elves set upon him; and evoked Storm King (Jimmy), Wind (Bess), and Frost (Jackson). He was the comedy of the little drama; and dressed all in black, covered with silver spangles and diamond dust, he made a joke that the wine-growers appreciated, for it is the black frosts of April they fear..

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Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother. Ebenezer Wopp became the grateful recipient of a quire of paper for notes. Miss Gordon was enabled to add to the decorations of her bureau a celluloid pictureframe on which were painted vivid blue and pink forget-me-nots. Mrs. Wopp reckoned “to git great comfort fer her corns an’ bungions” in a pair of soft house-shoes. “But Roderick Dhu died from fighting Fitz-James; I hate to give Jimmy a dying part.” CHAPTER IV THE TWO-LIGHT TIME.